Pink Floyd the Dark Side of the Moon Album Art
Biography
Pink Floyd were an English language rock band formed in London. They accomplished international acclaim with their progressive and psychedelic music. Distinguished by their utilize of philosophical lyrics, sonic experimentation, extended compositions and elaborate alive shows, they are 1 of the most commercially successful and influential groups in the history of popular music. Pink Floyd were founded in 1965 past students Syd Barrett on guitar and lead vocals, Nick Mason on drums, Roger Waters on bass and vocals, and Richard Wright on keyboards and vocals. They gained popularity performing in London's underground music scene during the late 1960s, and under Barrett'south leadership released two charting singles and a successful debut album, The Piper at the Gates of Dawn (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health.https://en.wikipedia.org/wiki/Pink_Floyd
Anthology & Cover
The Dark Side of the Moon is the eighth studio album past the English progressive rock band Pink Floyd. Originally released on 1 March 1973, on the label Harvest. It built on ideas explored in the ring's earlier recordings and live shows, but lacks the extended instrumental excursions that characterised their previous piece of work following the departure in 1968 of founder member, principal composer, and lyricist, Syd Barrett. The Nighttime Side of the Moon explores themes including conflict, greed, the passage of time, and mental disease, the latter partly inspired by Barrett'southward deteriorating mental land. Engineer Alan Parsons was responsible for many of the album'due south well-nigh notable sonic aspects and the recruitment of not-lexical vocalizer Clare Torry. The album's iconic sleeve, designed by Tempest Thorgerson, depicts a prism dispersing light into color and represents the ring'due south phase lighting, the record's lyrical themes, and keyboardist Richard Wright'due south request for a "simple and bold" design. The Dark Side of the Moon was an firsthand success; information technology topped the Billboard chart for one week and remained in the charts for 741 weeks from 1973 to 1988. Richard Wright, talking near the album said, "It'southward inverse me in many ways, because it's brought in a lot of money, and one feels very secure when you lot can sell an album for ii years. But it hasn't changed my attitude to music. Even though information technology was and then successful, information technology was fabricated in the same way as all our other albums, and the merely criterion we accept about releasing music is whether nosotros like it or not. It was non a deliberate attempt to make a commercial album. It just happened that manner. We knew information technology had a lot more melody than previous Floyd albums, and there was a concept that ran all through information technology. The music was easier to blot and having girls singing away added a commercial touch that none of our records had" https://en.wikipedia.org/wiki/The_Dark_Side_of_the_Moon
Richard Wright instructed them to come up up with something "smarter, neater – more classy". The prism design was inspired by a photo that Storm had seen during a brainstorming session with Po. The artwork was created by their associate, George Hardie. Hipgnosis offered the ring a pick of seven designs, but all iv members agreed that the prism was past far the all-time. The last pattern depicts a glass prism dispersing calorie-free into color. The blueprint represents three elements; the band'south stage lighting, the album lyrics, and Wright'due south request for a "simple and bold" design. The spectrum of light continues through to the gatefold – an idea that Roger Waters came upwards with. Added shortly afterwards, the gatefold design too includes a visual representation of the heartbeat sound used throughout the album, and the back of the album encompass contains Thorgerson's suggestion of another prism recombining the spectrum of lite, facilitating interesting layouts of the sleeve in tape shops. The light band emanating from the prism on the album comprehend has six colours, missing indigo compared to the traditional division of the spectrum into blood-red, orange, xanthous, greenish, bluish, indigo and violet. Inside the sleeve were ii posters and two pyramid-themed stickers.
Cover Location: Hipgnosis Studio, London, U.k.
Who Did What: Graphics – G. Hardie. Encompass Design – Hipgnosis/Pink Floyd
Label: Harvest SMAS-11163(U.s.), Harvest SHVL804(UK)
Source: Vinyl. Anthology. Cover. Fine art, The Complete Hipgnosis Catalogue: Aubrey Powell
Tracklist
Side I Speak To Me Breathe On The Run Time The Keen Gig In The Sky | Side Two Coin Us And Them Any Colour Y'all Like Brain Impairment Eclipse |
Credits
David Gilmour – Vocals; Guitars
Nick Stonemason – Percussion
Richard Wright – Keyboards; Vocals
Roger Waters – Bass guitar; vocals
Dick Parry – saxophone on "United states and Them" and "Money"
Clare Torry – vocals on "The Keen Gig in the Sky"
Doris Troy – bankroll vocals
Lesley Duncan – bankroll vocals
Liza Strike – backing vocals
Barry St. John – bankroll vocals
Alan Parsons – Engineer
Peter James – assistant (incorrectly identified as "Peter Jones" on first US pressings of the LP)
Chris Thomas – mix supervisor
1975 Comic Book: Click on the encompass to view.
For all their serious brooding and bitter digs at the establishment, the members of Pink Floyd were not in a higher place having a footling fun with their prototype. Take this 1975 comic book, created by their record cover designer Tempest Thorgerson'southward company Hipgnosis for the Nighttime Side of the Moon tour. A "Super, All-Action Official Music Programme for Boys and Girls," the 15-folio oddity—pitched, writes Dangerous Minds, "somewhere halfway between 'professional person promotional item' and 'schoolboy'southward notebook scribbling'"—includes several brusk comic stories: Roger ("Rog") Waters is an "ace goal-scorer" for the "Grantchester Rovers" football game club. Floyd drummer Nick Bricklayer becomes "Captain Bricklayer, R.North.," a "mettlesome and smart" WWII naval hero, and David Gilmour gets bandage as stunt cyclist "Dave Derring." The juiciest part goes to keyboardist Richard Wright, whose salacious exploits every bit high roller "Rich Right" complete the proto-Heavy Metal vibe of the whole thing.
Possibly virtually fun is a airheaded questionnaire chosen "Life Lines" that asks each band member well-nigh such trivia as age, weight, peak, "philosophical beliefs," "sexual proclivities," "political leanings," and "musical hates." Most of the answers are of the flippant, smart-ass variety, simply I think they're all sincere when they name their favourite movies: Beyond the Valley of the Dolls, The Seventh Seal, Cool Paw Luke, and El Topo. I'll let you lot figure out who chose which 1. The penultimate page includes the lyrics to 3 new songs the band was working on at the fourth dimension and playing live during the Dark Side of the Moon Tour: "Shine on You Crazy Diamond," and two unreleased tracks, "Raving and Drooling" and "Gotta Be Crazy"—which later turned into "Sheep" and "Dogs," respectively, on the Animals anthology.
Source: http://easkey.com/HipgnoArt/index.php/pink-floyd-dark-side-of-the-moon/
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